The Best Mirrorless Cameras for Live Streaming (2023 Update)
This is a complete list of mirrorless hybrid cameras I use and trust for live streaming corporate events, church services, concerts, podcasts, sports, theater, and more.
In this guide you'll find:
Let's get started...
Micro Four Thirds Cameras
Cameras in this category feature a sensor roughly 17-19mm wide and a lens mount from the Micro Four Thirds system, originally developed and standardized by Panasonic and Olympus.
While the sensors never technically come close to a size of 4/3" (how the original Four Thirds name was derived), they do fill a broad gap between the smaller sensors found in most camcorders and the larger sensors found in most cinema cameras.
As a result, these cameras tend to strike a wonderful balance of image quality and low light performance while helping maintain a manageable depth of field (background blur).
They also provide one of the shortest lens mount flange distances, providing ways to adapt lenses from a variety of other popular mounts, opening up a wider selection of camera and lens pairings.
And, with a 2x crop factor when compared to a 35mm full frame camera, they also help make tighter framing from longer distances more attainable to smaller budgets.
So, while this is a fairly small category with only a few camera manufacturers, it has a healthy selection of cameras that provide better image quality and low light performance compared to camcorders.
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Best Overall Micro Four Thirds Mirrorless Camera
Panasonic GH6
Get Price at AmazonIf "putting my money where my mouth is" is any indication of how well this camera performs... I own two of them.
With its new 25 megapixel sensor and Venus Engine processing, the GH6 boasts video recording up to 5.7K at 60 fps, 4K up to 120 fps, a whopping 7.5 stops of image stabilization, impressive photo quality and performance, and all at a stellar price.
And, as a bonus, after using more than 100 different Panasonic LUMIX cameras over the last decade, I have yet to see one overheat. In Texas. Outside. During the summer. For recording durations longer than 3 hours. Granted, any camera can overheat in the right conditions. However, I cannot make the same claim for any other mirrorless brand, not even close.
These cameras are workhorses, through and through.
So, if you're looking for a camera that handles video and photography equally well, feels at home in nearly any environment, stands up to long record times and simultaneous HDMI output, and does it all for a reasonable price, you better swipe right and match with this one!
It's as good as a Micro Four Thirds camera can get (so far).
Pros
- Unlimited video recording time
- Excellent photo and video quality
- Internal ProRes recording
- Internal active cooling fan
- Record to SD card, CFexpress Type B card, and/or external SSD
Cons
- Weak autofocus
- Different memory card slots (can't record to matching memory cards)
| Full Shot |
1.43mm per foot (100mm @ 70') 4.69mm per meter (100mm @ 21.34m) |
|---|---|
| Medium Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
| Sensor Size | Micro Four Thirds |
|---|---|
| Lens Mount | MFT |
| Internal Recording Codecs |
H.264 H.265/HEVC ProRes 422 ProRes 422 HQ |
| Internal Recording Formats |
5728 x 3024 (5.7K) up to 47.95p fps 4096 x 2160 up to 119.88 fps 3840 x 2160 up to 119.88 fps 1920 x 1080 up to 299.7 fps |
| Recording Media |
Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type A - Full Size)1 |
| Video Output Formats |
5760 x 4320 (5.8K) anamorphic up to 29.97 fps 5728 x 3024 (5.7K) up to 59.94 fps 4096 x 2160 up to 119.88 fps 3840 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O |
1 x USB-C port (Power Delivery, recording, file transfer, and control) 1 x Flash synchro port (with timecode in/out using BNC adapter) 1 x 2.5mm remote port |
| Wireless |
5GHz Wi-Fi (file transfers and control) 2.4GHz Wi-Fi (file transfers and control) Bluetooth v5.0 / Bluetooth LE (file transfers and control) |
| Power Options |
1 x DMW-BLK22 rechargeable battery (included) 1 x AC adapter with USB cable (included) 1 x USB-C Power Delivery (9V / 3A) 1 x DMW-AC10 (optional) and DMW-DCC17 (optional) |
Best Value Micro Four Thirds Mirrorless Camera
Panasonic G9
Get Price at AmazonI debated back and forth whether this or the Panasonic G95 would take this spot, but the G9 won out for many reasons:
- Dual SD card slots
- No sensor crop in 4K modes
- Full size HDMI output
- Better battery life
- Better autofocus
- Better image stabilization
- Better weather-sealed body
- Faster burst photo speeds
Unfortunately though, it's not all unicorns and glitter. Video recording times are limited to a maximum of 30 minutes and 4K video recording at 50 or 60 fps is limited even more to a maximum of 10 minutes. And, VLOG-L requires a paid firmware upgrade in the G9 while it comes standard in the cheaper and less capable G95.
But, it has equally impressive video and photography performance and sits almost exactly between the top pick above and the value pick below. So, if you're okay with video recording time limits and looking for a mid-range solution, then this is a great option.
It's also one of the highest rated mirrorless cameras out there right now, proving that it punches well above its weight class.
Pros
- 4K recording and output up to 60 fps
- 10-bit video recording and output formats
- Impressive photo features and speed for the price
Cons
- 30-minute video recording time limit
- VLOG-L firmware upgrade is an extra $100
| Full Shot |
1.43mm per foot (100mm @ 70') 4.69mm per meter (100mm @ 21.34m) |
|---|---|
| Medium Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
|
1 All video formats limited to a maximum recording time of 30 minutes 2 4K video recording at 50 and 60 fps limited to a maximum recording time of 10 minutes |
|
| Sensor Size | Micro Four Thirds |
|---|---|
| Lens Mount | MFT |
| Internal Recording Codecs | H.264 |
| Internal Recording Formats |
3840 x 2160 up to 60 fps1, 2 1920 x 1080 up to 180 fps1 |
| Recording Media |
Slot 1: SD/SDHC/SDXC (UHS-II) Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type A - Full Size)1 |
| Video Output Formats |
3840 x 2160 up to 60 fps 1920 x 1080 up to 60 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O |
1 x USB (Type B - Micro) (file transfers and power/charging) 1 x 2.5mm Sub-mini remote port |
| Wireless |
2.4GHz Wi-Fi (file transfers and control) Bluetooth (file transfers and control) |
| Power Options |
1 x DMW-BLF19 rechargeable battery (included) 1 x USB charging and power (cable included) 1 x DMW-BGG9 battery grip (optional) |
Best Budget Micro Four Thirds Mirrorless Camera
Panasonic G7
Get Price at AmazonPanasonic knocked it out of the park with this one!
This camera still sells like crazy more than 7 years after its release, which is why it has remained here longer than any other camera.
It's 👏 just 👏 that 👏 good. 👏👏👏
It includes a kit lens, offers clean HDMI output, can record in 4K up to 30 minutes, can record 1080p as long as the SD memory card has free space, and all for one incredibly low price.
This is, by far, the cheapest camera here. So if you're on a tight budget, but still want top notch image quality and features, you've found it!
Pros
- Unlimited video recording time for 1080p AVCHD
- Internal recording up to 3840 x 2160 at 29.97 fps
- Clean HDMI output
Cons
- Simultaneous internal recording and HDMI output not possible
- Continuous power only possible with third party dummy battery adapters
- HDMI output limited to 1080p
| Full Shot |
1.43mm per foot (100mm @ 70') 4.69mm per meter (100mm @ 21.34m) |
|---|---|
| Medium Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
|
1 HDMI output not possible during internal recording |
|
| Sensor Size | Micro Four Thirds |
|---|---|
| Lens Mount | MFT |
| Internal Recording Codecs | H.264 |
| Internal Recording Formats |
3840 x 2160 up to 30 fps1 1920 x 1080 up to 60 fps1 |
| Recording Media | Slot 1: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type D - Micro)1 |
| Video Output Formats | 1920 x 1080 up to 60 fps |
| Audio I/O | 1 x 3.5mm TRS stereo microphone input |
| Other I/O |
1 x 2.5mm Sub-Mini Control Input 1 x USB 2.0 port (Type B - Mini, file transfers and control) |
| Wireless | 2.4GHz Wi-Fi (file transfers and control) |
| Power Options |
1 x DMW-BLC12 rechargeable battery (included) 1 x Third party AC power adapter & dummy battery |
Another Great Micro Four Thirds Mirrorless Camera
Blackmagic Pocket Cinema Camera 4K
Get Price at AmazonIt sort of looks like a mirrorless camera, and it does have a photo button. So... it technically counts in my book. 😬
But, let's be honest, this is not a camera designed for photography by any stretch of the imagination. I wouldn't even call it a "hybrid".
However, if photography is none of your concern then it won't matter, because this camera straight up slays when it comes to video!
And, with the ability to receive tally and camera/lens control via HDMI from compatible Blackmagic ATEM switchers and converters, this is easily the most live-capable camera in this list.
When budget-friendly, yet high-quality, video capability is the name of the game, the Pocket Cinema Camera is the MVP.
Pros
- Unlimited video recording time
- Excellent video quality for the price
- A plethora of high-quality video formats
- Tally, camera, and lens control available with compatible Blackmagic ATEM switchers
Cons
- HDMI output is 1920 x 1080 only
- Poor battery life
- Poor autofocus
- Fixed screen limits viewing angles and versatility
| Full Shot |
1.43mm per foot (100mm @ 70') 4.69mm per meter (100mm @ 21.34m) |
|---|---|
| Medium Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
| Sensor Size | Micro Four Thirds |
|---|---|
| Lens Mount | MFT |
| Internal Recording Codecs |
Blackmagic RAW ProRes 422 Proxy ProRes 422 LT ProRes 422 ProRes 422 HQ |
| Internal Recording Formats |
4096 x 2160 up to 60 fps 4096 x 1720 up to 75 fps 3840 x 2160 up to 60 fps 2880 x 2160 up to 80 fps 2688 x 1512 up to 120 fps 1920 x 1080 up to 120 fps |
| Recording Media |
Slot 1: CFast Slot 2: SD/SDHC/SDXC (UHS-II) 1 x USB-C 3.1 Gen 1 expansion port for external media |
| Video I/O | 1 x HDMI (Type A - Full Size) |
| Video Output Formats | 1920 x 1080 up to 60 fps |
| Audio I/O |
1 x Mini XLR input (mic/line switchable, includes phantom power) 1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O | 1 x USB-C port (external drive recording, file transfers, and control) |
| Wireless | Bluetooth (control) |
| Power Options |
1 x LP-E6 rechargeable battery (included) 1 x External 12V power supply (included) 1 x 2-pin Weipu SF610/S2 locking connector input for use with third party power solutions (12V - 20V) |
APS-C Cameras
Cameras in this category feature a sensor roughly 22-26mm wide, putting them directly between Micro Four Thirds and full frame sensors, with an approximate crop of 1.5x. The sensor size also matches closely to the Super 35mm sensors found in many popular cinema cameras, making it a popular format for both video and photography.
As a result, these cameras tend to offer better image quality and low light performance than Micro Four Thirds cameras while still allowing the user to keep depth of field more manageable than full frame cameras.
They can utilize cheaper and smaller lenses designed specifically for the smaller APS-C format as well as lenses designed to cover the larger full frame format, providing a wide range of lens options covering many budgets and focal lengths.
And, with the 1.5x crop factor when compared to full frame, they also help make tighter framing from longer distances a bit more attainable to smaller budgets.
This category offers a beautiful balance of image quality, low light performance, depth of field control, and lens selection.
Best Overall APS-C Mirrorless Camera
Fujifilm X-H2S
Get Price at AmazonIt's difficult to deny that Fujifilm has nailed the APS-C format, good color science, and pleasing images that come straight out of the camera.
The X-H2S provides some of the best dynamic range found in an APS-C mirrorless camera, the second fastest rolling shutter performance ever tested by CineD's Lab Test, high-quality internal ProRes recording and raw HDMI output up to 6.2K, and all within a fully capable photo-first form factor.
If you want a camera that can feel at home in a studio or in the field, taking photos or recording video, and that will just give you impeccable video and images straight from the camera with no muss, no fuss, this is your huckleberry.
PRO TIP: If you want to save some money, but still have similar features and image quality, then check out the Fujifilm X-H2 as well. You actually gain 8K video recording up to 30 fps, but also lose 4K recording at 120 fps and some image quality for 4K at 60 fps. However, it can usually be found for $500 less than the X-H2S.
Pros
- Unlimited video recording time
- Internal ProRes recording
- Fuji color science and film emulations
- Incredible rolling shutter performance
Cons
- X-mount lens options can be limited, especially at longer focal lengths
- Cooling fan attachment is extra
| Full Shot |
1.89mm per foot (100mm @ 53') 6.19mm per meter (100mm @ 16.15m) |
|---|---|
| Medium Shot |
4.35mm per foot (100mm @ 23') 14.29mm per meter (100mm @ 7m) |
| Sensor Size | APS-C |
|---|---|
| Lens Mount | Fujifilm X-mount |
| Internal Recording Codecs |
ProRes 422 LT ProRes 422 ProRes 422 HQ HEVC/H.265 H.264 |
| Internal Recording Formats |
6240 x 4160 up to 29.97 fps 4096 x 2160 up to 119.88 fps 3840 x 2160 up to 119.88 fps 2048 x 1080 up to 239.76 fps 1920 x 1080 up to 239.76 fps |
| Recording Media |
Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type A - Full Size) |
| Video Output Formats |
6240 x 4160 up to 29.97 fps 4848 x 2728 up to 59.94 fps (1.29x crop) 4096 x 2160 up to 59.94 fps 3840 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O | 1 x USB-C port (power, file transfers, and control) |
| Wireless | Bluetooth 4.2 Low Energy (control) |
| Power Options |
1 x NP-W235S rechargeable battery (included) 1 x External power supply 1 x USB-C Power Delivery |
Best Value APS-C Mirrorless Camera
Sony FX30
Get Price at AmazonSince I started this site, I've reluctantly had to keep Sony mirrorless cameras off this list due to overheating concerns. I'm even a long-time Sony user, so that decision was never an easy one.
But then came the FX series - a wonderful convergence of cinematic features and image quality wrapped in a compact mirrorless body. And, most importantly, active fan cooling.
Overheating be gone, and Sony be praised! 🙌
As a result, we get reliable and high-quality video performance in a small, affordable, and rather versatile package.
The biggest downside here is power, but fortunately it's not a total deal breaker. The lack of a removable battery door, and a lack of a cable pass-through door for the battery compartment, means the only reliable way to power the FX30 is with an internal battery or USB-C power delivery. Otherwise, you have to use a dummy battery with the battery door left open, and that is not a solution I trust or recommend. But, as long as you get a proper USB-C power delivery AC adapter that provides the full 9V / 3A power that the camera needs to run without draining the internal battery, you should be able to use the camera as long as you wish.
Pros
- Unlimited video recording time
- Active cooling fan eliminates most heat issues
- S-Cinetone is a great blend of cinema and video
- Custom LUTs allow ultimate control of final image
- Dedicated zoom rocker for servo zoom control
- Optional XLR-H1 Handle Unit
Cons
- Lack of EVF makes photography difficult
- USB-C power delivery has quirks and caveats
- Poor rolling shutter performance
- No synchro scan or fine shutter speed options
| Full Shot |
1.85mm per foot (100mm @ 54') 6.08mm per meter (100mm @ 16.46m) |
|---|---|
| Medium Shot |
4.17mm per foot (100mm @ 24') 13.66mm per meter (100mm @ 7.32m) |
| Sensor Size | APS-C |
|---|---|
| Lens Mount | Sony E-mount |
| Internal Recording Codecs |
HEVC/H.265 H.264 |
| Internal Recording Formats |
4096 x 2160 up to 59.94 fps 3840 x 2160 up to 119.88 fps 1920 x 1080 up to 119.88 fps |
| Recording Media |
Slot 1: CFexpress Type A or SD/SDHC/SDXC (UHS-II) Slot 2: CFexpress Type A or SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI output (Type A - Full Size) |
| Video Output Formats |
4672 x 2628 up to 59.94 fps 3840 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output 2 x XLR audio mic/line inputs (XLR-H1 Handle Unit - sold separately) 1 x 3.5mm TRS stereo microphone input (XLR-H1 Handle Unit - sold separately) |
| Other I/O |
1 x USB-C port (webcam output, file transfers, and control) 1 x USB 2.0 port (Type B - Micro, file transfers and control) |
| Wireless |
2.4 GHz / 5 GHz Wi-Fi (file transfers and control) Bluetooth 5.0 (file transfers and control) |
| Power Options |
1 x NP-FZ100 rechargeable battery (included) 1 x AC-UUD12 AC power adapter (included) 1 x USB-C Power Delivery (9V / 3A)1,2,3 |
| Recommended USB-C Power |
Apple USB-C 30W Charger Anker USB-C 45W Charger AmazonBasics USB-C 30W Charger Fasgear 10' USB-C to USB-C Right Angle Charging Cable Anker 10' Powerline III USB-C to USB-C Charging Cable |
Best Budget APS-C Mirrorless Camera
Canon EOS R10
Get Price at AmazonCanon has gone all in on the EOS R mirrorless system and given us a lot of great camera and lens options in the last couple of years, and the EOS R10 is one of the latest.
It offers a 24.2MP APS-C sensor, the same great dual pixel autofocus found in the rest of the EOS R lineup, 4:2:2 10-bit recording in 4K and HD formats, clean HDMI output, and all of that for less than $1,000 USD.
As a result, you get excellent image quality, a nice balance of video and photo features, and a nice variety of quality RF lenses for a very reasonable price.
However, if constant connection to HDMI and/or recording long durations is going to be commonplace, I suggest looking into one of the Micro Four Thirds cameras in the section above. While this camera will work for live streaming purposes, this camera will perform best capturing photos and video on the go.
Pros
- Clean HDMI output
- Native webcam output using Canon's Webcam Utility software
- Continuous power available via USB or optional Canon dummy battery adapter
Cons
- An additional 1.56x sensor crop when recording 4K video at 50 or 59.94 fps
- HDMI output disables built-in LCD monitor
- Simultaneous internal recording and HDMI output not possible
- Video recording time is limited, albeit at a modest 2 hours
| Full Shot |
1.79mm per foot (100mm @ 56') 5.86mm per meter (100mm @ 17.07m) |
|---|---|
| Medium Shot |
4.17mm per foot (100mm @ 24') 13.66mm per meter (100mm @ 7.32m) |
|
1 HDMI output not possible during internal recording |
|
| Sensor Size | APS-C |
|---|---|
| Lens Mount | Canon RF-mount |
| Internal Recording Codecs |
HEVC/H.265 H.264 |
| Internal Recording Formats |
3840 x 2160 up to 59.94 fps1 1920 x 1080 up to 119.88 fps1 |
| Recording Media | Slot 1: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type D - Micro)1 |
| Video Output Formats |
3840 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O | 1 x 3.5mm TRS stereo microphone input |
| Other I/O |
1 x 2.5mm remote input 1 x USB-C port (Power Delivery, file transfers, and control) |
| Wireless |
2.4GHz Wi-Fi (file transfers and control) Bluetooth (file transfers and control) |
| Power Options |
1 x LP-E17 rechargeable battery (included) 1 x Canon DR-E17 DC coupler adapter (Amazon) 1 x USB-C Power Delivery |
Another Great APS-C Mirrorless Camera
Blackmagic Pocket Cinema Camera 6K G2
Get Price at AmazonJust like the Pocket Cinema Camera 4K mentioned earlier - this sort of looks like a mirrorless camera, and it does have a photo button. So... it technically counts in my book. 😬
But, let's be honest, this is not a camera designed for photography by any stretch of the imagination. I wouldn't even call it a "hybrid".
However, if photography is none of your concern then it won't matter, because this camera straight up slays when it comes to video!
And, with the ability to receive tally and camera/lens control via HDMI from compatible Blackmagic ATEM switchers and converters, this is easily the most live-capable camera in this list.
When budget-friendly, yet high-quality, video capability is the name of the game, the Pocket Cinema Camera is the MVP.
Pros
- Unlimited video recording time
- Excellent video quality for the price
- A plethora of high-quality video formats
- Tons of EF lens options
- Tally, camera, and lens control available with compatible Blackmagic ATEM switchers
Cons
- HDMI output is 1920 x 1080 only
- Not the best battery life
- Poor autofocus
| Full Shot |
1.85mm per foot (100mm @ 54') 6.08mm per meter (100mm @ 16.46m) |
|---|---|
| Medium Shot |
4.17mm per foot (100mm @ 24') 13.66mm per meter (100mm @ 7.32m) |
| Sensor Size | Super 35 |
|---|---|
| Lens Mount | Canon EF-mount |
| Internal Recording Codecs |
Blackmagic RAW ProRes 422 Proxy ProRes 422 LT ProRes 422 ProRes 422 HQ |
| Internal Recording Formats |
6144 x 3456 up to 50 fps 6144 x 2560 up to 60 fps 5744 x 3024 up to 60 fps 4096 x 2160 up to 60 fps 3840 x 2160 up to 60 fps 3728 x 3104 up to 60 fps 2880 x 1512 up to 120 fps 1920 x 1080 up to 120 fps |
| Recording Media |
Slot 1: CFast Slot 2: SD/SDHC/SDXC (UHS-II) 1 x USB-C 3.1 Gen 1 expansion port for external media |
| Video I/O | 1 x HDMI (Type A - Full Size) |
| Video Output Formats | 1920 x 1080 up to 60 fps |
| Audio I/O |
2 x Mini XLR input (mic/line switchable, includes phantom power) 1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O | 1 x USB-C port (external drive recording, file transfers, and control) |
| Wireless | Bluetooth (control) |
| Power Options |
1 x NP-F570 rechargeable battery (included) 1 x External 12V power supply (included) 1 x 2-pin Weipu SF610/S2 locking connector input for use with third party power solutions (12V - 20V) |
Full Frame Cameras
Cameras in this category feature a sensor roughly 34-36mm wide, similar to the size of a standard 35mm frame of film.
As a result, these cameras tend to offer premium image quality and low light performance, as well as the most depth of field control, compared to the categories above.
However, they also require a significant amount of glass for best results. So lenses that cover the full frame format tend to be larger, heavier, and more costly than many lenses made for smaller sensors. For tighter framing from longer distances, they will require the most glass of all the categories listed here. In turn, this can drive up the cost substantially and can create a depth of field that is harder to manage in live environments.
But, it is hard to argue with stellar image quality and superior low light performance from many of these cameras. Just keep in mind they come at a premium and may require some hefty glass to work well for some situations.
Best Overall Full Frame Mirrorless Camera
Sony Alpha 7S III
Get Price at AmazonThis beast is a favorite among wedding and event videographers.
Super clean low light performance, high quality 10-bit internal video codecs, 4K video recording up to 120 fps, HD video recording up to 240 fps, excellent autofocus, and 16-bit RAW HDMI output are just a few of the many reasons why.
While we don't get any 6K or 8K format options and there still is a theoretical 13 hour video recording time limit, I can't really complain at all about this camera. It will be a great fit for many situations.
It's a powerhouse, through and through.
Pros
- Low light performance
- Fully articulating monitor
- Dual memory card slots support both CFexpress Type A and SD
Cons
- Lack of EVF makes photography difficult
- Low resolution photos
- No synchro scan or fine shutter speed options
| Full Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
|---|---|
| Medium Shot |
7.69mm per foot (100mm @ 13') 25.25mm per meter (100mm @ 3.96m) |
| Sensor Size | Full Frame |
|---|---|
| Lens Mount | Sony E-mount |
| Internal Recording Codecs |
HEVC/H.265 H.264 |
| Internal Recording Formats |
3840 x 2160 up to 119.88 fps 1920 x 1080 up to 239.76 fps |
| Recording Media |
Slot 1: Multi slot for CFexpress Type A or SD/SDHC/SDXC (UHS-II) Slot 2: Multi slot for CFexpress Type A or SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type A - Full Size) |
| Video Output Formats |
4264 x 2408 up to 59.94 fps 3840 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O | 1 x USB-C port (file transfers and control) |
| Wireless | Bluetooth v5.0 (file transfers and control) |
| Power Options |
1 x NP-FZ100 rechargeable battery (included) 1 x External 12V power supply (included) 1 x USB-C Power Delivery |
Best Value AND Budget Full Frame Mirrorless Camera
Panasonic S5 IIX
Get Price at AmazonThis camera is so freakin' good, and comes at such a reasonable price, that it takes both the best value and best budget spots for this category.
I mean... (gestures broadly at everything)
- 6K internal recording up to 29.97 fps
- 5.9K 12-bit raw HDMI output up to 29.97 fps
- 4.1K 12-bit raw HDMI output up to 59.94 fps
- Unlimited 4:2:2 10-bit recording in 4K and HD formats
- ProRes and high quality all-intra recording to external USB-C SSDs
- Phase detection autofocus
- Dynamic range on par with the Sony Alpha 7S III
Oh yeah...
As if all of that wasn't enough, the S5 IIX also throws a cherry on top: built-in live streaming in HD and 4K. 🫡
I tried to come up with another full frame camera at a lower price that could take the budget spot, but nothing could even come close to the S5 IIX. Everything else suffered with substantial recording time limits and/or too much risk of overheating during video recording.
Pros
- Unlimited video recording times in all HD and 4K formats
- Dynamic range and image quality to rival the more expensive flagship cameras
- ProRes recording to external USB-C SSDs
- Internal active cooling fan
- Dual SD memory card slots
- Built-in live streaming
Cons
- HDMI output has a ton of latency
- Phase detection autofocus is good, but still not quite as good as Canon or Sony
| Full Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
|---|---|
| Medium Shot |
7.69mm per foot (100mm @ 13') 25.25mm per meter (100mm @ 3.96m) |
|
1 ProRes formats larger than 1920 x 1080 must be recorded to external USB-C drives |
|
| Sensor Size | Full Frame |
|---|---|
| Lens Mount | Leica L-mount |
| Internal Recording Codecs |
ProRes 422 HQ1 ProRes 4221 HEVC/H.265 H.264 |
| Internal Recording Formats |
5952 x 3968 up to 29.97 fps 4096 x 2160 up to 59.94 fps 1920 x 1080 up to 119.88 fps |
| Recording Media |
Slot 1: SD/SDHC/SDXC (UHS-II) Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type A - Full Size) |
| Video Output Formats |
5888 x 3312 up to 29.97 fps 4128 x 2176 up to 59.94 fps 4096 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O |
1 x 2.5mm remote port 1 x USB-C port (recording, file transfers, webcam, streaming, and control) |
| Wireless |
5GHz Wi-Fi (file transfers and control) 2.4GHz Wi-Fi (file transfers and control) Bluetooth v5.0 / Bluetooth LE (file transfers and control) |
| Power Options |
1 x DMW-BLK22 rechargeable battery (included) 1 x External 12V power supply (included) 1 x USB-C Power Delivery |
The Best Full Frame Mirrorless Camera Money Can Buy
Canon EOS R5 C
Get Price at AmazonWhile the EOS R5 C may not dazzle in terms of image quality or dynamic range quite like the Sony and Panasonic models above, it still ranks high for both, making it a beast in its own right.
And I mean A BEAST.
A whopping 45MP sensor, unlimited internal 8K recording, internal 12-bit Cinema RAW Light recording, 8K HDMI output up to 29.97 fps, 6K HDMI output up to 59.94 fps, crazy fast and accurate dual pixel autofocus, and a plethora of photo and video features are just a few highlights.
If you plan on bouncing between photo and video often and you need super high quality recording and output formats, then this deserves a serious look.
It does it all. It does it well. And then some.
Pros
- Insane video formats and recording qualities
- Photo/video switch makes for easy and intuitive mode switching
- Stellar autofocus
- Internal active cooling fan
Cons
- Getting full use during higher quality settings requires a substantial external power source
- Battery life, in general, is very weak
- HDMI micro port is disappointing in a camera of this caliber
| Full Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
|---|---|
| Medium Shot |
7.69mm per foot (100mm @ 13') 25.25mm per meter (100mm @ 3.96m) |
| Sensor Size | Full Frame |
|---|---|
| Lens Mount | Canon RF-mount |
| Internal Recording Codecs |
Cinema RAW Light HEVC/H.265 H.264 |
| Internal Recording Formats |
8192 x 4320 up to 59.94 fps 4096 x 2160 up to 119.88 fps 1920 x 1080 up to 119.88 fps |
| Recording Media |
Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type D - Micro) |
| Video Output Formats |
8192 x 4320 up to 29.97 fps 5952 x 3140 up to 59.94 fps 4096 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output |
| Other I/O |
1 x DIN 1.0/2.3 port (timecode in/out) 1 x USB-C port (file transfers and control) |
| Wireless |
5GHz Wi-Fi (file transfers and control) 2.4GHz Wi-Fi (file transfers and control) Bluetooth v5.0 / Bluetooth LE (file transfers and control) |
| Power Options |
1 x LP-E6NH rechargeable battery (included) 1 x External 12V power supply (included) 1 x DR-E6C DC Coupler (optional) |
Another Great Full Frame Mirrorless Camera
Sony FX3
Get Price at AmazonIt's basically a Sony Alpha 7S III with an internal cooling fan.
You lose the electronic viewfinder and a few focus points, but you still get the same great dynamic range and image quality in addition to much more reliable recording in warmer environments and for longer durations.
So... should I get the Alpha 7S III or the FX3?
I'll help you out...
When video is the main need, get the FX3.
When photography, or even the ability to occasionally bounce between photography and video, is anticipated, get the Sony Alpha 7S III.
The biggest downside here is power, but fortunately it's not a total deal breaker. The lack of a removable battery door, and a lack of a cable pass-through door for the battery compartment, means the only reliable way to power the FX3 is with an internal battery or USB-C power delivery. Otherwise, you have to use a dummy battery with the battery door left open, and that is not a solution I trust or recommend. But, as long as you get a proper USB-C power delivery AC adapter that provides the full 9V / 3A power that the camera needs to run without draining the internal battery, you should be able to use the camera as long as you wish.
Pros
- Low light performance
- Fully articulating monitor
- Dual memory card slots support both CFexpress Type A and SD
- Internal cooling fan
Cons
- Lack of EVF makes photography difficult
- Low resolution photos
- No synchro scan or fine shutter speed options
| Full Shot |
3.33mm per foot (100mm @ 30') 10.94mm per meter (100mm @ 9.14m) |
|---|---|
| Medium Shot |
7.69mm per foot (100mm @ 13') 25.25mm per meter (100mm @ 3.96m) |
| Sensor Size | Full Frame |
|---|---|
| Lens Mount | Sony E-mount |
| Internal Recording Codecs |
HEVC/H.265 H.264 |
| Internal Recording Formats |
4096 x 2160 up to 119.88 fps 1920 x 1080 up to 239.76 fps |
| Recording Media |
Slot 1: Multi slot for CFexpress Type A or SD/SDHC/SDXC (UHS-II) Slot 2: Multi slot for CFexpress Type A or SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI (Type A - Full Size) |
| Video Output Formats |
4264 x 2408 up to 59.94 fps 4096 x 2160 up to 59.94 fps 1920 x 1080 up to 59.94 fps |
| Audio I/O |
1 x 3.5mm TRS stereo microphone input 1 x 3.5mm TRS stereo headphone output 2 x XLR audio mic/line inputs (XLR-H1 Handle Unit - sold separately) 1 x 3.5mm TRS stereo microphone input (XLR-H1 Handle Unit - sold separately) |
| Other I/O |
1 x USB-C port (webcam output, file transfers, and control) 1 x USB 2.0 port (Type B - Micro, file transfers and control) |
| Wireless |
2.4 GHz / 5 GHz Wi-Fi (file transfers and control) Bluetooth 5.0 (file transfers and control) |
| Power Options |
1 x NP-FZ100 rechargeable battery (included) 1 x AC-UUD12 AC power adapter (included) 1 x USB-C Power Delivery (9V / 3A)1,2,3 |
| Recommended USB-C Power |
Apple USB-C 30W Charger Anker USB-C 45W Charger AmazonBasics USB-C 30W Charger Fasgear 10' USB-C to USB-C Right Angle Charging Cable Anker 10' Powerline III USB-C to USB-C Charging Cable |
Why You Can Trust Me
I started my career over 23 years ago as a freelance live and ENG camera operator for broadcast television networks including ABC, FOX Sports, and Speed Channel. Since then, I have spent countless hours with hundreds of different cameras throughout 25 different countries. Additionally, I have spent the last decade running this website and consulting with organizations to help them find the right cameras and maximize their results. Learn more about Joel
How I Choose Scores
Every camera on this site gets scored for performance and overall value. Scores for each camera are calculated in the context of all other cameras and camera categories.
As a result, you may see lower or higher average scores for some characteristics in certain categories. For example, camcorders will typically receive lower than average scoring for image quality, dynamic range, and low-light performance and higher than average scoring for live features, while mirrorless cameras typically receive the opposite.
Image Quality
Image quality takes into account many factors including image noise, sharpness, color science, color accuracy, dynamic range, the ability to adjust the image to a specific style, etc.
Considerations include:
- Accuracy of skin tones
- Accuracy of saturated colors
- Amount of details visible in highlights and shadows
- Amount of noise in the final image
- Amount of ghosting, chromatic aberration, and distortion in the image
- How much work is required to achieve a pleasing final image
- How much light is required to achieve the cleanest image
Dynamic Range
Dynamic range refers to how much detail is retained in highlights and shadows. The higher the dynamic range, the more detail that remains in bright highlights and dark shadows.
Dynamic range can also affect color saturation. A low dynamic range can cause unwanted clipping and/or smearing of saturated colors, as well as inaccurate shifting of colors in some situations.
For context, the ARRI ALEXA 35 currently sets the standard for a perfect 10/10 dynamic range. So if you wonder why these scores may seem low, it's because the bar has been set very high.
Low-Light Performance
This one is fairly self-explanatory.
But, first of all, I want to be clear that I always recommend providing adequate quality light if at all possible (see the lighting section of First Things First).
However, it does help knowing just how clean of an image to expect with less-than-ideal lighting, and is often a good indication of how clean the image is in general.
You will notice that camcorders and PTZs generally score much lower for this characteristic while mirrorless, cinema, and studio cameras score much higher. This is simply due to the nature of how camcorders and PTZs are made, with smaller sensors and built-in lenses that have variable apertures (an aperture that closes as the lens is zoomed in).
Live Features
Live features include remote control of camera and lens settings, built-in on-air tally indicators, built-in intercom for communication with director and crew, ability to add external viewfinders and monitors, remote power, and the ability to do everything through as few cables as possible.
Studio cameras and camcorders usually score higher while mirrorless cameras and cinema cameras might score lower.
Photo Capability
This is an exclusive criterion for the mirrorless camera category.
Since these cameras are more appropriately and technically referred to as "mirrorless hybrid cameras", designed for both photography and video, it is nice to know how each model fares for photography as well.
This score takes into account photo image quality, resolution, and the presence or lack of features like a viewfinder, hot shoe for mounting flashes, and raw photo formats.
Overall Value
This is the most subjective score, and is my overall opinion of the camera.
You may see lower scores here from cameras in both price extremes, with higher scores coming from cameras that tend to provide more performance and features for reasonable prices.
"Bang for the buck" is the key phrase here.